Stark is an artist of the highest caliber
— Jim Aiken, Keyboard Magazine
strikes a rare balance between musical literacy and pure emotion
— Linda Kohanov, CD Review
a confident, fresh-voiced composer
— Daron Hagen, EAR Magazine
(Overture, Adagio and Finale) …Stark shows his mastery of writing beautiful lyrical lines for the brass, with witty and pianistic interjections…The innate lyricism with which Stark writes, along with his clear presentation of characters in each movement makes this delightful piece a fun and audience-pleasing program staple.
— Heidi Lucas, The Horn Call (2019)
Bruce Stark’s Americana Wind Quintet (2009) is the takeaway discovery on this CD. A jewel, Stark’s quintet is gorgeous, engaging, complexly structured, and intellectually rewarding. Its four movements are as expansive as the American spirit, with lots of nice ensemble writing, delicious coloring, and motivic ideas cleverly linked by threads of repetition and special effect.
— Daniel Kepl, Performance Arts Review (2018)
. . . there is something about it that is unmistakably “American” in sound and spirit that’s hard to describe. Above all, I find it to be an exquisitely beautiful piece and one that has grown on me with repeated hearings and moved me deeply. Listen, for example, to the second movement, “Hymn to the Dawn.” What extraordinarily beautiful music this is . . .
- Jerry Dubins, Fanfare (Jan/Feb 2018)
This is a magnificent and engaging addition to the woodwind quintet literature.
- Ronald E. Grames, Fanfare (2018)
This well-crafted composition should be a staple in the woodwind quintet repertoire.
— Flute Talk (Nov 2017)
The four movements of the American composer Bruce Stark's Americana Wind Quintet abound in poetic and dramatic flights spiced with savoury flavours and rhythmic twists.
— Donald Rosenberg, Gramophone (2017)
Lisa Moore closed her part of the program with Bruce Stark's “Ode To 'Ode To Joy' “(1997), a fantasy on the theme from the finale of Beethoven's Ninth Symphony, couched in jazzy rhythms, rumbling bass figures and a healthy measure of overt virtuosity. It was as if Liszt, while musing on the Beethoven work, were suddenly possessed by the spirit of Art Tatum.
— Allan Kozinn, New York Times
Tuesday's program opened with Bruce Stark's Fugue, a cool, ultra-precise composition whose extended, winding motifs, exchanged from player to player, created music that seemed to move in circular crosscurrents through the Bessie Schonberg Theater.
— Stephen Holden, The New York Times
A grand finale was provided by Bruce Stark, composer of an Ode To 'Ode To Joy'—and it was in this piece that surprising bits of the joyous melody would emerge amidst the frenetic passages of jazz, syncopation, and all kinds of different rhythms.
— Wendy Brazil, ArtSoundFM 92.7 Radio, Australia
Bruce Stark's music was performed to wonderful effect again in tonight's program. His 5 short pieces further explored how jazz stylings and American folk music influences can be used without merely evoking the achievements of the '50's. The explosive 5th prelude was fascinating in how it simultaneously and without feelings of pastiche evoked both Bartok and Gershwin.
Stark's work has been featured in every concert of the series and for good reason. He has an unusually rare gift in creating a recognizable voice, combining compelling content with forms that make sense and are full of surprises.
— Jeff Harrington, Sequenza21